Palavras

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Hurdy-gurdy

The hurdy-gurdy is a string instrument that produces sound by a hand-crank-turned, rosined wheel rubbing against the strings. The wheel functions much like a violin bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a keyboard that presses tangents—small wedges, typically made of wood or metal—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board and hollow cavity to make the vibration of the strings audible. Most hurdy-gurdies have multiple drone strings, which give a constant pitch accompaniment to the melody, resulting in a sound similar to that of bagpipes. For this reason, the hurdy-gurdy is often used interchangeably or along with bagpipes. It is mostly used in Occitan, Aragonese, Cajun French, Asturian, Cantabrian, Galician, Hungarian, and Slavic folk music, it can also be seen in early music settings such as medieval, renaissance or baroque music

Idakka

The idakka (Malayalam: ഇടയ്ക്ക), also spelt edaykka/edakka, is an hourglass-shaped drum from Kerala in south India. This handy percussion instrument is very similar to the pan-Indian damaru.[citation needed] While the damaru is played by rattling knotted cords against the resonators, the idakka is played with a stick. Like the damaru, the idakka's pitch may be bent by squeezing the lacing in the middle. The idakka is slung over the left shoulder and the right side of the instrument is gently beaten with a thin curve-ended stick. It is played in temples and in performances such as Kathakali and Mohiniattam classical dance.

Janggu

The janggu (Korean: 장구, also transliterated as janggo or changgo) or sometimes called seyogo (slim waist drum) is the most representative drum in traditional Korean music. It is available in most kinds, and consists of an hourglass-shaped body with two heads made from animal skin. The two heads produce sounds of different pitch and timbre, which when played together are believed to represent the harmonious joining of Um and Yang. The janggu is one of the four components of samul nori (사물놀이), alongside the buk (북), jing (징) and kkwaenggwari (꽹과리).

Kanjira

The kanjira, khanjira, khanjiri or ganjira, a South Indian frame drum, is an instrument of the tambourine family. As a folk and bhajan instrument, it has been used in India for many centuries. The kanjira's emergence in South Indian Carnatic music, as well as the development of the modern form of the instrument, is credited to Manpoondia Pillai. In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified it to a frame drum with a single pair of jingles and brought the instrument to a classical stage. It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the mridangam.

Kantele

A kantele (Finnish: [ˈkɑntele]) or kannel (Finnish: [ˈkɑnːel]) is a traditional Finnish and Karelian plucked string instrument (chordophone) belonging to the south east Baltic box zither family known as the Baltic psaltery along with Estonian kannel, Latvian kokles, Lithuanian kanklės and Russian gusli. The kantele has a distinctive bell-like sound. The Finnish kantele generally has a diatonic tuning, though small kanteles with between 5 and 15 strings are often tuned to a gapped mode, missing a seventh and with the lowest pitched strings tuned to a fourth below the tonic, as a drone. Players hold the kantele in their laps or on a small table. There are two main playing techniques, either plucking the strings with the fingers or strumming unstopped strings (sometimes with a matchstick). Small kanteles and concert kanteles have different, though related, repertoires.

Kaval

The kaval is a chromatic end-blown oblique flute traditionally played throughout the Balkans (in Albania, Romania, Bulgaria, Southern Serbia, Kosovo, North Macedonia, Northern Greece, and elsewhere) and Anatolia (including Turkey and Armenia). The kaval is primarily associated with mountain shepherds. Unlike the transverse flute, the kaval is fully open at both ends, and is played by blowing on the sharpened edge of one end. The kaval has eight playing holes (seven in front and one in the back for the thumb) and usually four more unfingered intonation holes near the bottom of the kaval. As a wooden rim-blown flute, kaval is similar to the kawala of the Arab world and ney of the Middle East.

Kayamb

The kayamb or kayamba is a flat musical instrument, a shaken idiophone, used in the African countries to play different types of music. It is called maravanne in Mauritius, or caïamb or kayanm in Reunion. Kayambas are made of reed (or sugar cane flower stems) and its tubes filled with jequirity or canna seeds. They are also played in some East African countries like Kenya.

Kazoo

The kazoo is an American musical instrument that adds a 'buzzing' timbral quality to a player's voice when the player vocalizes into it. It is a type of mirliton (which itself is a membranophone), one of a class of instruments which modifies its player's voice by way of a vibrating membrane of goldbeater's skin or material with similar characteristics. A kazoo player hums, rather than blows, into the bigger and flattened side of the instrument. The oscillating air pressure of the hum makes the kazoo's membrane vibrate. The resulting sound varies in pitch and loudness with the player's humming. Players can produce different sounds by singing specific syllables such as doo, too, who, rrrrr or brrr into the kazoo.

Kebero

A kebero (Amharic and Tigrinya: ከበሮ) is a double-headed, conical hand drum used in the traditional music of Eritrea, Sudan and Ethiopia. A piece of animal hide is stretched over each end of the instrument, thus forming a membranophone. A large version of the kebero is also used in Ethiopian and Eritrean Orthodox Christian liturgical music, while smaller versions are used in secular celebrations. The kebero is primarily used in weddings, funerals and other ceremonies. The instrument is made from the hollowed out section of a tree trunk and then hard particles[clarification needed] are inserted into it. The shell is then covered with two cow leather membranes, so that one can be tuned higher than the other. A kebero is also used in a worship called wereb. It is mostly done in Eritrea and Ethiopia.

Kemanak

Kemanak (Javanese: ꦏꦼꦩꦤꦏ꧀, romanized: Kemanak) is a banana-shaped idiophone used in Javanese gamelan, made of bronze. They are actually metal slit drums. It is struck with a padded stick and then allowed to resonate. It has a specific pitch, which can be varied by covering the slit, but it is not matched to the other instruments of the gamelan. They are usually played in pairs, although they can be played in sets of four as well. They are used to accompany the bedhaya and serimpi, female court dances.

Kendang

Kendang or Gendang (Javanese: ꦏꦼꦤ꧀ꦝꦁ, romanized: Kendhang, Sundanese: ᮊᮨᮔ᮪ᮓᮀ, romanized: Kendang, Balinese: ᬓᬾᬦ᭄ᬤᬂ, romanized: Kendang, Tausug/Bajau/Maranao: Gandang, Bugis: Gendrang and Makassar: Gandrang or Ganrang ) is a two-headed drum used by people from the Indonesian Archipelago. Kendang is one of the primary instruments used in the Gamelan ensembles of Javanese, Sundanese, and Balinese, the Kendang ensemble as well as various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is a relation to the Indian mridangam double-headed drum.

Khartal

Khartal is an ancient instrument mainly used in devotional / folk songs. It has derived its name from Sanskrit words ‘kara’ meaning hand and ‘tala’ meaning clapping. This wooden clapper is a Ghana Vadya which has discs or plates that produce a clinking sound when clapped together. It falls under the class of idiophones of self-sounding instruments that combine properties of vibrator and resonator. Usually made of wood or metal, a khartal player will hold one ‘male’ and ‘female’ khartal in each hand. The ‘male’ khartal is usually thicker and is held with the thumb while the ‘female’ khartal is usually thinner and is mainly balanced on the ring finger, which represents the fire element. It is associated with the sun and the root chakra. Its force is associated with staying power, stamina, and the power to be assertive.

Khene

The khene (/ˈkɛn/; spelled 'Can' in English; Lao: ແຄນ; Thai: แคน, RTGS: khaen, pronounced [kʰɛ̄ːn]; Khmer: គែន - Ken; Vietnamese: khèn) is a Lao mouth organ whose pipes, which are usually made of bamboo, are connected with a small, hollowed-out hardwood reservoir into which air is blown. The khene is the national instrument of Laos. The khene music is an integral part of Lao life that promotes family and social cohesion and it was inscribed in 2017 on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Although it is associated with the Lao people of Laos and Isan (Northeast Thailand) nowadays, other similar instruments date back to the Bronze Age. In Cambodia, it is used among the ethnic Lao population of the province of Stung Treng and is used in lakhon ken, a Cambodian dance drama genre that features the khene as the main instrument In Vietnam, this instrument is used among the Tai peoples and the Muong people.

Khlui

The khlui (Thai: ขลุ่ย, Thai pronunciation: [kʰlùj]) is a vertical duct bamboo flute from Thailand. Originated before or during the Sukhothai period (AD 1238–1583) along with many other Thai instruments. But, it was officially recorded as a Thai instrument by king Trailokkanat (1431–1488), who sets the official model of the instruments. It is a reedless instrument, generally made of bamboo, though instruments are also made from hardwood or plastic. After many generations of modifications, it survives to the present day as the khlui piang-or.

Khol

The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music (bhakti). It is also known as a mridanga (< Sanskrit mrit + anga, lit. 'clay limb'), not to be confused with mridangam. It originates from the Indian states of West Bengal, Assam and Manipur. The drum is played with palms and fingers of both hands. The khol is a drum with a hollow earthen body, with drumheads at both ends, one far smaller than the other. The drumheads are made of cow or goat skin, and are three-layered and treated with a circle of rice paste, glue, and iron known as syahi. Some modern instruments are made with a fibreglass body and synthetic drumheads.

Kombu

The Kombu (Tamil:கொம்பு, Malayalam: കൊമ്പ്) or Kompu also known as the Kombu Pattu is a wind instrument (a kind of Natural Horn) in Tamil nadu and Kerala. Usually played along with Panchavadyam, Pandi Melam, Panchari melam etc. This musical instrument is usually seen in south India. The instrument is like a long horn (Kombu in Tamil and Malayalam). It is one of the few instrumental temple art forms in which the melody instruments dominate. Even this is only partly true, as the C-shaped trumpet, the kombu is regarded as a rhythm instrument by its players, with the function of embellishing the beats of the drums. The kombu can only produce three notes (sa, pa, and higher sa). The genre is played by a group of kombu players (3, 5, 7, or 9), led by the kombu leader. Within a given tala (rhythmic cycle), the leader improvises kombu patterns on the spot to be repeated by the chorus players.

Koncovka

The koncovka is a Slovak duct-blown overtone fipple flute without finger holes, traditionally played by shepherds. The koncovka is played by closing and opening the bottom hole of the flute. By increasing the air speed, two different harmonic series of notes can be played with the end either open or closed. Traditional koncovka melodies use the partial Lydian scale available on this instrument.

Koudi

The koudi (Chinese: 口笛; pinyin: kǒudí; also spelled kou di) is a very small Chinese flute made from bamboo. It is the smallest flute in Chinese Flute family. Its original shape is from prehistorical instruments made with animal bone, while Koudi is made with wood, bamboo or PVC, which is very distinct with the original shape. It was invented in 1971 by dizi master Yu Xunfa (俞逊发, 1946–2006).

Kouxian

Kouxian (Chinese: 口弦; pinyin: kǒuxián; lit. 'mouth string') is a general Chinese term for any variety of jaw harp. The jaw harp is a plucked idiophone in which the lamella is mounted in a small frame, and the player's open mouth serves as a resonance chamber. Chinese jaw harps may comprise multiple idiophones that are lashed together at one end and spread in a fan formation. They may be made from bamboo or a metal alloy, such as brass. Modern kouxian with three or more idiophones might be tuned to the first few tones of the minor pentatonic scale. The jaw harp likely originated in Asia. Although played throughout China, it is particularly popular among the non-Han ethnic groups of Southwest China, such the Yunnan, Guangxi, and Guizhou. The varieties of Chinese have numerous vernacular names for the instrument; one such name is hoho.

Krakebs

Qraqeb or garagab (Arabic: قراقب), in English often transliterated as krakeb, are a large iron castanet-like musical instrument primarily used as the rhythmic aspect of Gnawa music. Gnawa today is part of the North African culture and is inherent in the Maghrebi soundscape. The word qraqeb is a plural form (with the singular being qarqab), with an unclear etymology, as the word does not occur in Standard Arabic with this meaning. Krakeb are similar to large iron castanets in that they are handheld cymbal-type instruments which are handmade from iron or steel. They are idiophones, meaning that their sound comes from the vibration of the instrument's body. The body is four cymbals (two on each side) attached by a string. Since they are played with one hand, the musician usually holds one in each to play simultaneously.

Kulintang

Kulintang is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums. Kulintang music ensembles have been playing for many centuries in regions of the Southern Philippines, Eastern Malaysia, Eastern Indonesia, Brunei and Timor, Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making Kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles.

Kèn bầu

The kèn bầu (Vietnamese: [kɛ̂n ɓə̂w]) is one of several types of kèn, a double reed wind instrument used in the traditional music of Vietnam. It is similar in construction and sound to the Chinese suona and the Korean taepyeongso. It comes in various sizes and is a primary instrument of the music of the former royal court music of Huế. The instrument has a conical hardwood body with seven finger holes. Unlike its Chinese and Korean counterparts, the kèn bầu has a detachable bell made of jackfruit wood, carved in the shape of a gourd (originally it was probably made out of an actual dried gourd, but wood is more durable). Into the playing end is fitted a small brass tube onto which a small double reed is placed. This type of musical instrument are quite familiar in Asia, the Indian analogy being Shehnai.

Lambeg drum

A Lambeg drum is a large drum, beaten with curved malacca canes. It is used primarily in Northern Ireland by Unionists and the Orange Order traditionally in street parades held in the summer, particularly on and around 12 July ('The Twelfth'). The weight of the drum means that it had been replaced with smaller replicas for most parades, but the full-sized instrument has started to reappear in recent years - usually on floats. It is also used by the Ancient Order of Hibernians, having historical significance for parts of the nationalist community, as well.[citation needed] The Lambeg drum is, together with the bagpipe, one of the loudest acoustic instruments in the world, frequently reaching over 120 dB. It measures approximately 3 feet 1⁄4 inch (92.1 cm) in diameter and 2 feet (61 cm) deep, and weighs 35–40 pounds (16–18 kg). Usually it is carried by the drummer while marching, using a neck harness.[citation needed]

Laser harp

A laser harp is an electronic musical user interface and laser lighting display. It projects several laser beams played by the musician by blocking them to produce sounds, visually reminiscent of a harp. It was popularised by Jean-Michel Jarre, and has been a high-profile feature of almost all his concerts since 1981. French composer Bernard Szajner applied to patent the laser harp in 1981. It was granted in 1982, meaning that the French patent office had found no evidence of another inventor of the same or similar instrument before him. However, Australian inventor Geoffrey Rose claims to have taken out a provisional patent with the United Kingdom's patent office in 1975–1976, and his invention may have been shown and used as early as 1976.

Launeddas

The launeddas (also called Sardinian triple clarinet) are a traditional Sardinian woodwind instrument made of three pipes, each of which has an idioglot single reed. They are a polyphonic instrument, with one of the pipes functioning as a drone and the other two playing the melody in thirds and sixths. Predecessors of the launeddas are found throughout Northern Africa and the Middle East. In 2700 BCE, the Egyptian reed pipes were originally called 'memet'; during the Old Kingdom of Egypt (2778–2723 BCE), memets were depicted on the reliefs of seven tombs at Saqqara, six tombs at Giza, and the pyramids of Queen Khentkaus.

Lur

A lur, also lure or lurr, is a long natural blowing horn without finger holes that is played with a brass-type embouchure. Lurs can be straight or curved in various shapes. The purpose of the curves was to make long instruments easier to carry (e.g. for marching, like the modern sousaphone) and to avoid directing the loud noise at nearby people. The name lur is used for two distinct types of ancient wind instruments. The more recent type is made of wood and was in use in Scandinavia during the Middle Ages. The older type, named after the more recent type, is made of bronze, dates to the Bronze Age and was often found in pairs, deposited in bogs, mainly in Denmark and Germany. It consists of a mouthpiece and several pieces and/or pipes. Its length can reach between 1.5 and 2 metres. It has been found in Norway, Denmark, South Sweden, and Northern Germany. Illustrations of lurs have also been found on several rock paintings in Scandinavia.

Lusheng

The lusheng (simplified Chinese: 芦笙; traditional Chinese: 蘆笙; pinyin: lú shēng, pronounced [lǔʂə́ŋ]; Vietnamese: Khèn Mông; also spelled lu sheng; spelled ghengx in standard Hmong and qeej in Laotian RPA Hmong) is a Hmong musical instrument. It has a long history of 3000 years in China, traced back to the Tang Dynasty. It is a mouth organ with multiple bamboo pipes, each fitted with a free reed, which are fitted into a long blowing tube made of hardwood. It most often has five or six pipes of different pitches and is thus a polyphonic instrument. Its construction includes six parts (mouthpiece, air feed pipe, sheng dou (笙斗, body), sheng guan (笙管, pipes), reed, and resonator tube). It comes in sizes ranging from very small to several meters in length.

Maddale

The Maddale (Kannada: ಮದ್ದಲೆ) also called Mrudanga(ಮೃದಂಗ) in North Canara region is a percussion instrument from Karnataka, India. It is the primary rhythmic accompaniment in a Yakshagana ensemble along with Chande. Maddale also represents a remarkable progress in percussive instruments as it produces the perfectly hormonic tonic (shruti swara) when played anywhere on the surface compared to Mrudangam, Pakawaj or Tabla that can not produce the tonic (shruti) on all parts of the drum surface. The traditional variety of Maddale was 30 cm long, had 8 inch drum head for right and produced the louder sound. These days 6 - 6.5 inch wide right side maddale is used with only a few using 7 inch wide. Left bass side is about an inch (few hairs less) bigger than right. Maddale is available in more than three different variations. Maddale used in Yakshagana looks similar to mridangam but is markedly different in structure, acoustics, playing techniques and the rhythm system (Yakshagana Tala).

Madhalam

The maddalam or madhalam (Malayalam: മദ്ദളം) मद्दलम , ମଦ୍ଦଳମ , మద్దళమ్ , ಮದ್ದಳಂ is a drum made out of the wood of the jackfruit tree. It has two sides for playing, made out of leather, and has different kind of sounds on each side. The maddalam is a heavy instrument which is hung around the waist of the person playing, and the player stands all the while to perform. The maddalam is a vital instrument in traditional Kerala percussion ensembles like Panchavadyam, Keli and Kathakali orchestra. In ancient times Madhalam was played by suspending it from the neck of the player and later in the 1920s Madhalam maestro Venkichan Swamy changed the style to the way it was suspended from the waist of the player.

Mandolin

A mandolin (Italian: mandolino pronounced [mandoˈliːno]; literally 'small mandola') is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of eight strings. A variety of string types are used, with steel strings being the most common and usually the least expensive. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass.

Maraca

A maraca (pronunciation (help·info)), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní mbaracás), also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from Lagenaria gourds are being shaken by the natural grip, while the round Crescentia calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (payes) made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the guarás (scarlet ibis). Every man had his maraca. It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also made of leather, wood or plastic. A maraca player in Spanish is a maraquero.

Marimba

The marimba (/məˈrɪmbə/) is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles.

Mbira

Mbira (/əmˈbɪərə/ əm-BEER-ə) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The 'Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe' was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020.

Melodica

The melodica is a handheld free-reed instrument similar to a pump organ or harmonica. It features a musical keyboard on top, and is played by blowing air through a mouthpiece that fits into a hole in the side of the instrument. The keyboard usually covers two or three octaves. Melodicas are small, lightweight, and portable, and many are designed for children to play. They are popular in music education programs, especially in Asia. The modern form of the instrument was invented by Hohner in the late 1950s, though similar instruments have been known in Italy since the 19th century.

Mirwas

The mirwās or marwas (Arabic: مرواس), plural marāwīs (Arabic: مراويس) is a small double-sided, high-pitched hand drum originally from the Middle East. It is a popular instrument in the Arab States of the Persian Gulf, used in sawt and fijiri music. It is also common in Kuwait and Yemen. Hadhrami migrants from Yemen took the instrument to Muslim Southeast Asia (especially Indonesia, Malaysia and Brunei), where it is used in Zapin and Gambus musical genres. A similar drum of this area is the Gendang. The Marwas drums used to accompany Gambus music in Lampung, Indonesia often consist of four sizes with two skins of a diameter between 12-20 centimetres. The skins are commonly made from goatskin and formerly black monkey skin and are laced with leather or plastic to a jackfruit-wood cylindrical body of around 8 to 10 centimetres in height.

Mridangam

The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. The mridangam is a double-sided drum whose body is usually made using a hollowed piece of jackfruit wood about an inch thick. The two mouths or apertures of the drum are covered with a goatskin and laced to each other with leather straps along the length of the drum. These straps are put into a state of high tension to stretch out the circular membranes on either side of the hull, allowing them to resonate when struck. These two membranes are dissimilar in diameter to allow for the production of both bass and treble sounds from the same drum.

Nagara

The nagara or naghara is a drum used in the Middle East. There are several types of naghara, which is considered to be the lead instrument in folk ceremonies and weddings. The naghara differs in size and goes by various names such as 'boyuk nagara' (big naghara), 'cura nagara' (small naghara), 'chiling naghara' (played with drum sticks), 'Qoltuq nagara' (drum held under the arm), gosha naghara (Naqareh) and 'el naghara' (hand naghara). 'Nagada' (Indian Drum) is a percussion instrument used for its rhythmic sounds.[citation needed]. Nakara is a festival instrument mostly used in South Indian Hindu temples. The size may vary and this instrument may be kept near the entrance of the South Indian Hindu temples.

Naqareh

The naqareh, naqqāra, nagara or nagada is a Middle Eastern drum with a rounded back and a hide head, usually played in pairs. It is thus a membranophone of the kettle drum variety. The term naqqāra (نقاره), also نقارات naqqarat, naqqarah, naqqåre, nakkare, nagora comes from the Arabic verb naqr- that means 'to strike, beat'. The instrument was also adopted in Europe following the Crusades, and known as the naccaire or naker. The rounded section of a naqqara is made of baked clay, while the flat side consists of treated skin fastened around the rim with string which is tightened over the back of the bow. This percussion instrument is often played in pairs, where one naqqara will produce low pitch beats called nar and the other for the high pitch beats. The instruments are beaten with short wooden sticks bent outward at the upper ends called damka.

Oboe

The oboe (/ˈoʊboʊ/ OH-boh) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common type of oboe, the soprano oboe pitched in C, measures roughly 65 cm (25+1⁄2 in) long and has metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as 'bright'. When the word oboe is used alone, it is generally taken to mean the soprano member rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore.

Ocarina

The ocarina is a wind musical instrument; it is a type of vessel flute. Variations exist, but a typical ocarina is an enclosed space with four to twelve finger holes and a mouthpiece that projects from the body. It is traditionally made from clay or ceramic, but other materials are also used, such as plastic, wood, glass, metal, or bone. The ocarina belongs to a very old family of instruments, believed to date back over 12,000 years. Ocarina-type instruments have been of particular importance in Chinese and Mesoamerican cultures. For the Chinese, the instrument played an important role in their long history of song and dance.